Upton Sinclair (an important "realist" American novelist) and his wife funded the filming and because Eisenstein lacked a sense of budget he continued to outstrip his resources. Reflecting back on the issue Sinclair claimed in 1950, "All [Eisenstein's] associates were Trotskyites, and all homos".
According the really informative article by Tony Wood (writing for the London Review of Books) the film was never completed by Eisenstein who only saw the rushes and several approximations made of a film with his footage.
Here is a demonstration of Dialectical Montage for those not "in the know:"
Kuleshov Effect - Eisenstein Montage from Filmstudies_DaVega on Vimeo.
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