Showing posts with label Teaching. Show all posts
Showing posts with label Teaching. Show all posts

Wednesday, January 11, 2012

Wednesday, July 20, 2011

How to Radicalize Graduate Students:

From Academe's July-August Issue:

Take these simple steps to intimidate, alienate, and agitate your own flock of graduate students.

By Heather Steffen

As the recession, budget cuts, endowment losses, and Republican governors gut university funding, campuses across the country have become host to occupations, union actions, and demonstrations.

Except for yours. When you gaze out on the quad, all that greets you is a file of book-bagged undergraduates nose deep in text messages, a few graduate students hauling books and lab equipment, and that weird squirrel with the crooked tail. What’s wrong with your corner of the ivory tower? Why aren’t your students marching shoulder to shoulder with the others? You included a three-week unit on Marxist criticism in your fall syllabus and proudly display your Obama ’08 poster, and last month you tacked a strip of Jorge Cham’s comic critique of academia over the photocopier, but your graduate students stubbornly look only to their reading, teaching, and the lab.

If this sounds like your campus, it’s time for a change. The steps below offer simple ways to rile up and radicalize your university’s graduate student population. Why target graduate students? Because they live and work at the crux of the university: when they’re not bothering you, these people are teaching undergraduates, giving conference papers, and living lives entwined with the community. Radicalize them and your university’s troubles will be broadcast where it counts—the classroom, the hotel bar, the statehouse. (And you can be assured, doctoral students will protest with abandon, having already demonstrated an underdeveloped sense of self-preservation by considering academic employment in the first place.)

But before we get to the steps you need to take, one caveat administrator: the things that radicalize are the same things that enervate. Your graduate students, appearances to the contrary, are intelligent adults with adult responsibilities and concerns. Those Chuck Taylor sneakers carry them home at the end of the day to support partners, care for children, feed pets, and call aging parents. Pressures and duties of that magnitude, on top of the commitments they’ve made to your university, are what make each turn of the screw worth two. But if you push too far, you’ll exhaust your most capable rabble-rousers and wind up with nothing but a bunch of broken-spirited, careerist brownnosers in your program.

On the upside, they’ll probably improve your program ranking, but walk this tightrope carefully. If you follow these six steps and keep a sharp eye out for signs of the tipping point between insurrection and burnout, your campus, too, can ring with the tones of disaffection, discontent, and incipient democracy.

Step 1. Build on graduate students’ existing strength: worrying. Depending on your region and Carnegie classification, you may be well on your way to creating a culture of anxiety, uncertainty, and self-doubt among your graduate students, and lord knows they arrive with plenty of that already on hand. But no matter how competitive and intimidating your campus is, the first step to fostering a vibrant radical population of graduate students is getting their hearts beating faster. These three tactics are sure to give any grad student’s pulse a jump-start:

A. Evaluation Assassination. When you evaluate a graduate student’s work, do you treat it like that of a future colleague, engaging with its ideas and style as if you were reading a friend’s article draft? If so, you’ll need to relearn your approach to grading. every seminar paper and dissertation chapter represents an opportunity to shake a graduate student to the very core. An offhand “This is not doctoral-level work” will more than suffice in most cases. (Nota bene: The probability of a demand for rationale decreases in inverse proportion to the time between submission and return of work.)

B. The Draft-and-Switch. Prospectus, research performance evaluation, thesis overview, dissertation: the merest whisper of any of these words makes graduate students curse having lapsed (“It was only one slice!”) on that irritable bowel syndrome diet. The draft-and-switch takes advantage of their inevitable prostration before the task of defining an academic identity. Advisers, perk up your ears.

A prospectus draft hits your inbox. Open that sucker up and give it a skim—does the lit review or the original research get more airtime? Whichever it is, fire off a response within hours apprising your student that she’s failed to incorporate the other. Include a list of at least six monographs against which the student has not adequately positioned herself, and request a total rewrite within three months.

Revision in hand, warm up your reply button, because you’re about to drop a bomb: the document must again be completely recast, and you are concerned about the project’s viability: “This reads like a review essay; what is your argument?” Before closing, recall to the student’s mind that her standing in the program depends upon swift approval by multiple entities and reveal that you are not at this juncture certain of her ability to meet the deadline. Will the student think she’s lost her mind? Will she spend the next two hours combing through her e-mail for your previous comments? Yes, all the while shaking like a leaf. Give yourself a pat on the back, open a celebratory diet coke, and wait for draft three.

C. The HPT Meeting. Around the Pentagon, HPT stands for “high-payoff target,” and that’s exactly what you’re aiming for, so use this tactic sparingly. Here, HPT is a mnemonic you can use to plan meetings with overconfident graduate students.

A few days after a friendly interaction (drinks at a reception, a chat in the hall about good news on the publishing front, or some similar light conversation), casually request a meeting with your student to check up on his progress. Be sure to say something personal in the e-mail to maximize the sense of informality (“I was glad to hear that your cat’s surgery was successful!”).

Meeting set, the HPT agenda proceeds as follows: (1) Humiliate the student immediately by asking an exam-style question tangential to his area of knowledge. After he stumbles through an answer, inform him that he is devastatingly wrong (for proper affect management, imagine he’s just farted audibly while speaking). As he tilts toward the abyss of his self- doubt, (2) patronizingly offer an olive branch to help him out—a task useful to your own research that also happens to be the only thing capable of saving him from his overwhelming wrongness. You’ll either get a domesticated free research assistant or he’ll resist, declaring that that is not what his project is about at all. If the latter occurs, (3) bring out the threats: “It will be very hard for your thesis to gain my approval if this is not accounted for.” As fear enters your student’s eyes, open the door, extend your best wishes to the cat, and tell him you’ll look forward to seeing how his work progresses. If you’re not naturally coldhearted, the HPT meeting might shake you up a little, but keep in mind that as you’re sipping your evening pinot, your student might be getting in touch with his inner Wobbly at the bar down the street.

Step 2. Practice nepotism and lack of transparency in policy and decision making. Experienced administrators will roll their eyes at this one: “I already do that. I wasn’t promoted because of my sterling teaching record, you know.” But for the sake of faculty readers new to the managerial rim of the labor divide (that’s you, Ohioans), a few words on nepotism and obfuscation are in order.

Nepotism in regard to graduate students is easy, and chances are you’re already better at it than you think. Have you ever invited a couple of friends to present on a panel because writing a call for proposals would take too long or given the nod to a mediocre job candidate whose thesis happens to be signed by your college roommate? Congratulations, you’re half-way there! Now just turn the same principles to the assignment of plum classes and jobs to your favorite graduate students.

When they start to notice the repetitions in the course catalog, it’s time to shut the window on your decision-making process. Remember that graduate students are heavily invested in meritocratic and democratic ideals, so if they see perks accruing where they aren’t deserved and program requirements becoming a moving target, they’re going to want to nose out the culprit. By keeping the decision-making process tightly under wraps, you’ll not only increase its efficiency but also help your graduate students hone their investigative research and networking skills while they close read the handbook and compare notes with their comrades in other departments. Suppression of information is the agar in the petri dish of revolt, after all.

Step 3. Raise tuition and fees. Graduate students don’t pay tuition, do they? But why not? Take a look at your department’s budget sheet—how many of your hard-earned FTEs are wasted reimbursing the university for graduate credit hours? No one’s even teaching those classes, what with the pack of dinosaur ABDs you’ve got hanging around. A refresher on accounting and some well-timed hints about counterbalancing the athletic director’s fall spending spree will not only unify students across the two cultures, it might even get your name on the CFO’s go-to list next time a spot opens up in administration. To preview the results you can get from this one simple tip, look no further than California and Illinois, where just the threat of tuition increase spurred months of strikes, insurgent dance parties, and the authoring of manifesto upon manifesto.

Step 4. Pay them below the living wage. Choosing to starve your students might sound distasteful, but if they’re getting PhDs in late-thirteenth-century barley farming or the morphology of south Bolivian musk gnats, they must come from well-to-do backgrounds, right? These pampered savants need a reason to identify with the working man, and there’s no better way to foster identification than to make sure they’re standing behind him in the Shop ’n Save checkout line instead of flipping through a Dwell at Whole Foods. It might make them less entertaining dinner companions, but the gains in class consciousness will more than compensate for any lack of fluency in microgreens and manchego.

Step 5. Cut centers, programs, and departments. Even—if you’re as daring as the Minnesotans were—dissolve the graduate school. For maximum impact, go for the arts and humanities first. Donors and corporate partners are unlikely to register the loss, and students on the softer side of campus are already steeped in leftist theory, jealous of their profs’ glory days in the sixties and convinced of the need to enlighten the masses, so they’ll take the dissolution particularly hard. (And when was the last time you saw video of stomatology students getting arrested for failure to disperse?)

Step 6. Keep that tenured head buried in the sand. Are flyers about a graduate student union showing up on the bulletin board across the hall? Did the administration just announce that graduate tuition and fees are going up? Who cares? You’ve already got fifty-two hours of research, peer reviewing, committee work, and lecturing to do every week, so going to bat for your grad students is the last thing on your to-do list, and you should let them know that—loud and clear. If a wild-eyed graduate student idealist asks you to talk to your faculty senate or to advocate for the union, blink confusedly, mumble something that intelligibly includes the word “busy,” and remember to keep your office lights dimmed next time you come in for a meeting. Knowing they’re on their own encourages graduate student self-reliance and solidarity with organizations that really can help them out.

Follow these six easy steps, and pretty soon your campus could join the lucky ones already garnering the attention of police and Fox news anchors. Then you can sit back and let your grad students and the exasperated public take it from there. As one effectively and efficiently radicalized student at the University at Albany put it last January, “A lot of people who are supposed to be protecting us aren’t doing that. So unless we turn a little wolfish on them, they’ll just eat the sheep
.”

Sunday, April 3, 2011

Internships, Immaterial Labor Anyone?

Internships are becoming common requirements for graduation in many colleges and they are moreover are becoming standard (which is to say calculated into saved costs) budgetting at many US corporations

intern Pictures, Images and Photos

From Ross Borlin's Op-Ed in the NYT:

The uncritical internship fever on college campuses — not to mention the exploitation of graduate student instructors, adjunct faculty members and support staff — is symptomatic of a broader malaise. Far from being the liberal, pro-labor bastions of popular image, universities are often blind to the realities of work in contemporary America.

[...]

Far from resisting the exploitation of their students, colleges have made academic credit a commodity. Just look at Menlo College, a business-focused college in northern California, which sold credits to a business called Dream Careers. Menlo grossed $50,000 from the arrangement in 2008, while Dream Careers sold Menlo-accredited internships for as much as $9,500.

To meet the credit requirement of their employers, some interns have essentially had to pay to work for free: shelling out $2,700 to the University of Pennsylvania in the case of an intern at NBC Universal and $1,600 to New York University by an intern at “The Daily Show,” to cite two examples from news reports.

Charging students tuition to work in unpaid positions might be justifiable in some cases — if the college plays a central role in securing the internship and making it a substantive academic experience. But more often, internships are a cheap way for universities to provide credit — cheaper than paying for faculty members, classrooms and equipment.

Tuesday, March 29, 2011

No Halt to Deportations of Students

In the face of the failure of the DREAM act in December of last year deportations of Latino young folk/students continue. President Obama in a recent town hall meeting appeared unwilling to cease deportation and grant students under threat of deportation with  Temporary Protected Status.

From the Latin American Herald Tribune:

“With respect to the notion that I can just suspend deportations through executive order, that’s just not the case,” the president said.

“There are enough laws on the books by Congress that are very clear in terms of how we have to enforce our immigration system that for me to simply through executive order ignore those congressional mandates would not conform with my appropriate role as president,” Obama said.

He also rejected the idea of granting TPS to undocumented students.

[...]

But the main message Obama wanted to send to Hispanic students, who make up 22 percent of all students in the country, was that their community “will be a key for our future success” and that the country needs everyone to finish their high school education and be able to go to college.

Only about half of Hispanic students manage to finish high school in the normal amount of time, and very few go on to university for further study. Just 13 percent of those who do obtain a bachelor’s degree and only about 4 percent receive a postgraduate diploma, according to the Education Department.


What is astounding in this article, to me, is the way in which this issue actually reveals a deeper racial division at the level of education and access to opportunity. America can no longer supply the dream of upward mobility to Latinos (undocumented or otherwise, it would appear) rather membership in a flexible, contingent rainbow underclass.

Tuesday, December 7, 2010

Edu-Factory

Check out Jeff Williams' review of education based left movement Edu-Factory:

Edu-factory is a new group trying to revolutionize higher education. It is a relatively small, web-based collective (around 500 on its list) but casts an international net. It began as a listserv of those doing radical criticism of higher education and has since published a book (Toward a Global Autonomous University), developed a journal (see Edu-factory.org), and sponsored occasional “days of action,” calling for strikes among students and faculty in universities. Its organizers are largely European-based, intellectually coming out of the Italian autonomist movement and historically spurred by something called the Bologna Process.

The Bologna Process sounds as if it might be a political thriller at your local theater, but it’s an agreement of forty-six European countries oriented toward standardizing college degrees. It’s not an act of the EU, but it arises from work issues in the EU. In many ways, its goal sounds reasonable—European universities have a cacophony of regulations and degree requirements, in contrast to the U.S. system, which is more uniform and translatable, particularly after the credit hour was formalized in the early twentieth century. But Edu-factory sees the Bologna Process as instrumentalizing higher education, operating in the interests of capitalism rather than learning, particularly in its focus on assessment and “outcomes” and its orientation toward the vocational use of a degree.

Tuesday, August 10, 2010

Palestinian Children's TV

I stumbled upon this while I was looking up youtube clips in giving a presentation of "what not to do while presenting" to my students this summer, under the search term "evil Hamas," for my composition course on terrorism and globalization. I was previously using a video entitled "Hamas eats kittens," that's been taken down for whatever reason but both worked for me as specious examples of "useful evidence" for making particular kinds of arguments, e.g. a terrorist organization is "evil" which is a metaphysical claim that can't necessarily be proven in a 6-9 page essay.

Note: I have no idea how accurate the translations are on here, but I'm waiting for Juan Cole to get back to me on this.



Thursday, April 1, 2010

Radicalizing the Youth One Footballer at a Time



Over the last 3 years I've been teaching a composition course on the topic of Terrorism and Globalization. The composition course criteria for my university are less oriented toward great books (in the traditional model) but introducing students to standards of academic argumentation by way of a particular controversy.

As an ideologue I have two barely-veiled and interrelated intentions with this course:

a) to emphasize the novelty of terrorism so as to reject its embeddedness as an antedeluvian, knee-jerk cultural reaction (also to emphasize state-terror)

b) to challenge the culturalist assumptions to underpin most of U.S. public discourse about terrorism, mostly that somehow Islam is a monolithic civilization and that fundamentalist politics in the Middle East are commensurate with fascism.

Every semester, for some reason, I have at least 1-2 football players in my class and because they are not here with any prospect of an American football career afterwards (we have a team with which no one is particularly enthusiastic, and not competitive in any way) they are really hard and sincere workers. Although in high school football team members were generally objects of extreme ire and fear for me as well as intensely frustrated desire, now I have a lot of respect for these kids for working so diligently and moreover because of their work becoming radicalized (at least for the duration of the semester, or merely to please me, I have no idea) as a result.

I was confronted with this tendency the other day while conferencing with my current footballer student who indicated that he found the two articles that were most radical in the course (one by Noam Chomsky and the other by Mahmoud Mamdani) to be the most logical and the arguments he most agreed with. Fucking awesome!

Thursday, December 10, 2009

Harrowing Weeks Since

So these last few weeks have produced absolutely no posts from me and this mostly has to do with some emotionally trying and difficult things going on in my personal life. In order to represent its simultaneously painful and tacky, clichéd quality of this experience I present a scene from Fass Binder's The Bitter Tears of Petra von Kant without subtitles:



Highlights from the last couple weeks include:

1) Talking my advisor down. Was finally able to make the point that there is in fact a "last instance" when it comes to Latino immigration to the United States (for those unfamiliar with Louis Althusser this will make no sense). He intimidates the crap out of me so this was a step in the direction of me becoming his colleague and not merely his student.

2) Discussing academic porno. So in the reading "How To Tame a Wild Tongue" by Gloria Anzaldua my students and I encountered the phrase "my mouth is a motherlode." This made me burst into laughter immediately which my students didn't understand. Upon later discussion with other grad. student friends we decided that this would be an amazing title for a gang-bang porno staring Anzaldua. Picture the final money shot scene on her mouth, she a nude older Mexican woman, brown breasts flying, turquoise jewelry splayed everywhere.

3) Encountering this phrase in a work by Americo Paredes, "the American taste for ham plays a big part in border folklore, and now and then one hears the term gringo jamonero" as a derisive term for Americans--ha!

4) Despite a broken bike frame that I've had for almost 6 years, I've started sucking it up and working on a much newer frame I purchased to produce my dream bicycle. With some help from friends identifying appropriate parts, I'm feeling pretty good that it might be done by the end of january.

5) Amanda Blank has a few good tracks:


6) The semester is over almost a week earlier than usual and I only have 7 student papers to grade.

Saturday, October 31, 2009

March 4 Strike and Day of Action To Defend Public Education

On October 24, 2009 more than 800 students, workers, and teachers converged at UC
Berkeley at the Mobilizing Conference to Save Public Education. This massive meeting
brought together representatives from over 100 different schools, unions, and
organizations from all across California and from all sectors of public education ?
Pre K-12, Adult Education, CC, CSU and UC ? to "decide on a statewide action plan
capable of winning this struggle, which will define the future of public education
in this state, particularly for the working class and communities of color."

After hours of open collective discussion, the conference democratically voted, as
its principal decision, to call for a statewide Strike and Day of Action on March 4,
2010. The conference decided that all schools, unions and organizations are free to
choose their specific demands and tactics ? such as strikes, walkouts, march to
Sacramento, rallies, occupations, sit-ins, teach-ins, etc. ? for March 4, as well
as the duration of such actions.

We refuse to let those in power continue to pit us against each other. If we unite,
we have the power to shut down business-as-usual and to force those in power to
grant our demands. Building a powerful movement to defend public education will, in
turn, advance the struggle in defense of all public-sector workers and services.

We call on all students, workers, teachers, parents, and their organizations across
the state to endorse this call and massively mobilize and organize for the Strike
and Day of Action on March 4.

Let's make this an historic turning point in the struggle against the cuts, layoffs,
fee hikes, and educational segregation in California.

To endorse this call and to receive more information, please contact
march4strikeanddayofaction@gmail.com and consult www.savecapubliceducation.org

Spring Statewide Conference
The next Statewide Conference was called for Spring 2010 and will be held in
Southern California. We hope that the upcoming Conference can move forward in
democratically deciding on unifying demands, as well as build for the statewide
actions on March 4. The exact location and date are TBA and will be sent out ASAP!

Demands
Throughout the day of the October 24 Conference, individuals and organizations had
the opportunity to raise the demands they felt were most crucial to this struggle.
All written and spoken demands are compiled in the document ?Demands 10/24/2009?
attached to the original email. We hope that the upcoming Spring Conference can move
forward in democratically deciding on unifying demands for the statewide actions on
March 4!

Coordinating Committee
A volunteer coordinating committee met after the conference. To join the
Coordinating Committee listserve ? oct24coord@lists.berkeley.edu ? please contact
oct24list@gmail.com if you would like to be added to the email list.

We encourage other individuals and activists to join the coordinating committee. It
is open to all!

The next in person coordinating committee meetings will be on November 7th at 1pm.
NorCal Location: San Jose State; SoCal Location: TBA by participants from the
region. Details will be sent out ASAP!

Monday, October 26, 2009

Latino Popular Music Cultures

So in order to diversify the offerings of my U.S. Latino Lit. course and to touch on some different cultural productions, I've decided to have my students acquaint themselves with some of the dominant trends in U.S. Latino music over the last hundred years or so. Since muxtape no longer exists, I thought I would post some of the songs on the mix I am making them.

"El Corrido de Gregorio Cortez"

Corridos were musical forms produced in the border zone between United States and Mexico used to carry news, gossip, etc. from town to town. This one depicts the resistance of Gregorio Cortez to the brutality and murderousness of the Texas Rangers toward the native Mexican population:



These forms of corridos were replaced in the contemporary moment with Narcocorridos which depict the heroism of drug-runners between Mexico and the United States (see Los Tigres Del Norte, which I've posted earlier).

Perez Prado "Que Rico el Mambo"

This form is Cuban in origin, but Mambo in general was not a phenomenon that really caught on in Cuba. It exploded in the U.S. fostering several films produced in Hollywood around the Cuban-American relationship, and shuttled Desi Arnaz (of I Love Lucy Fame) to stardom. This is by far the most popular Mambo tune in the United states:



Daddy Yankee - "Gasolina"

Representing the explosion of the Reggaeton phenomenon, a sort of Latino Hip-hop constructed around almost exactly the same beat/time signatures, the hit Gasolina:




Abe Vigoda - "Skeleton"

Mexi-American kids from Chino producing tropical punk, of L.A.'s The Smell scene fame:



Diplo - "¡Soy Cumbia!"

Although Diplo is not Latino, he is responsible for circulating historical and current trends in Non-Western music in the United States and Western Europe. This mix from his Mad Decent radio show/podcasts features the 1970s(?) Afro-Columbian trend of Cumbia music.

Los Crudos - "That's Right We're That Spic Band"

Hardcore legends of Ecuadorean and Chicano origins. I've embedded the video for Martin's (the lead singer) famous but now out of print documentary of Latino Punk/Hardcore called "Beyond the Screams."

Thursday, July 9, 2009

Marxist Literary Group & PDX



I haven't been blogging in a bit and that has partially to do with an effort to "get serious" this summer and get some reading done for my exams, but also because last month I spent a week in Portland, Oregon attending the Marxist Literary Group (MLG) annual summer institute. I also used this conference as a opportunity to visit with friends I hadn't seen in awhile and see old haunts from when I lived in PDX.

MLG seems to be divided into two "guards" of an older generation of people working to recuperate questions such as Stalin's "real" legacy, or resolving the real implications of various volumes of capital and a new guard largely focused on the question of immaterial labor, neoliberalism, and the bio-political. By far the more interesting work for me came from this "new" guard. There were some fascinating work of left political economy coming from people in literature departments like Berkeley and UC Davis. I saw an excellent paper on "centrist reason" by a graduate student at McMaster, which deliberated on the meaning of people from the Economist, Obama, and those neophytes of the techboom who imagine that the internet has reinvented politics completely. Another paper denied the use or meaning of "ideology" as false-consciousness for Marx.

Also, of note were some of the reading groups particularly one on the Wertkritik ("value critique") school in Germany. Although the discussion thanks to the UC students devolved into a deliberation of a figure I have not yet read, Moishe Postone, the readings themselves were rather interesting. Wertkritik asserts that capitalism has increasingly failed to integrate masses of unemployed laborers into the labor force, particularly in the "developing world." They also suggest that the conflict at the heart is not between the proletariat and the bourgeoisie but the forces of capitalism and those who desire the persistence of life. Capitalism in this reading is oriented against the persistence of life. There work was pretty engaging and scholars have just started translating their work, check out some links here (I particularly recommend Marx 2000).

As for Portland, I was able to visit with several friends, have several brunches which is precisely my favorite meal, and have Stumptown coffee fresh brewed every day despite my moratorium on daily coffee consumption. The Red Bicycle, an amazing breakfast place in St. Johns was probably my favorite brunch whilst in PDX featuring a tempeh-bacon avocado breakfast sandwich. I was able to see several people with whom I organized in a queer collective that occupied some time and a lot of head space for me whilst in Portland. Some of them have moved on to social work (or continued in it), or to having babies, attending graduate school. And a few have continued in political organizing around other issues not related to queer politics at all.

At the end of the institute following the BBQ I met a former co-worker from the group home at a lesbian bar for drinks, but my sleeplessness throughout the conference followed by my inability to sleep in without five in my bed, made me a sloppy/sleepy drunk. I definitely recall half-falling asleep while talking to her, and waking up quickly with the phrase "Hegelian madness..." something she would probably not know about or care to discover its true meaning. Anyway, a little embarrassing.

But Portland has changed a great deal (economically) and several good friends have moved away, so I feel settled in my narrow house in Pittsburgh with my boyfriend, and dog, even though we miss some of our friends there. Also, it is kind of a bubble in terms of the limitations people face in their daily lives be they queer, unemployed, etc. It is almost more important to be in a place where the conflicts at the heart of American society are a little more out in the open.

Thursday, December 18, 2008

Communique from Occupied New School

*We write this statement from an occupied New School University.*

At 8pm, December 18th, over 75 students reclaimed the cafeteria at the New
School University as an autonomous student center. Students from several
Universities commandeered this space. Students of City College, Borough of
Manhattan Community College, Hunter College and the CUNY Graduate Center are
here participating in this struggle. This is every student's occupation.

If this can happen at the New School, through the organized activity
of 75 dedicated students, it can happen at CUNY. And we certainly have
reason to be upset: On the first day of the Fall 2008 semester, the CUNY
budget was slashed $50.6 million. Massive layoffs plague all our schools.
We are now being told of a looming $600-per-year tuition hike and more
colossal budget cuts to CUNY students and teachers, in a school that was
once FREE.

We will continue this campus occupation until our demands are met.
While the demands tonight are specific to The New School we will not be
satisfied until the students and faculty of CUNY, NYU, all the
consortium schools and beyond, have control over their universities.
Education should be free, student debts should be cancelled, students and
workers should work together to achieve our goals, and we start here.

Please, come out to the New School and support us! Join us! We are at 65 5th
avenue (between 13th and 14th St.). The building will be open to all
consortium students at 7:30am, we invite you to come any time tomorrow, but
particularly at 10:30 when there will be a rally and press conference. The
morning hours will be crucial, and the student-occupiers need to know that
we are not struggling alone!

Our next stop? CUNY.
- CUNY students at The New School in Exile

Contact:
Frank at 718.314.2328, fmanning@gc.cuny.edu
Conor Tom?s Reed at 979.204.9253, cocoreed@gmail.com

----below we attach the communiqu? from all of The New School in Exile-----

An Open Letter: Come Occupy a Building with Us...Now

Dear Friends,

We are writing to you from the inside of the New School Graduate
Faculty Building on 65 5th Ave. We are occupying it. Right now.
Literally.

Students of the New School University, along with our partners from
other universities and groups ? like NYU, Hunter College, City College
of NY, CUNY Graduate Center, and Borough of Manhattan Community
College, have organically risen up to demand the resignation of
President Bob Kerrey, Executive Vice President James Murtha, and Board
Member/torturer Robert B. Millard. We have come
together to prevent our study spaces from being flattened by corporate
bulldozers, to have a say in who runs this school, to demand that the
money we spend on this institution be used to facilitate the creation
of a better society, not to build bigger buildings or invest in
companies that make war. We have come here not only to make demands,
but also to live them. Our presence makes it clear that this school is
ours, and yours, if you are with us.

The outside doors have been closed now, so we can't exactly invite you
in...sorry... We know you wanted a piece of the action, but we'll be
around for quite some time. Join us at 7 AM tomorrow when the doors
open again, or come now to stand outside with a sign in solidarity.
You are cordially invited to join us in any way you can. We are not
going anywhere. In the meantime, check out our Web site:
www.newschoolinexile.com. We have all night to make things
interesting, and the website will continue to be updated. Stay tuned
for the musical pieces, doctoral dissertations, and creative
finger-paintings that seem to be the natural result of 150 students
locked into a building together for a night.

We are here, making decisions collectively, doing teach-ins, listening
to music, studying, singing. We've got an upright bassist, guitarists
and vocalists (If anyone can volunteer a drum-set we'll be well on our
way...). We'll be here until this university changes, or until the
party gets boring (but it doesn't seem likely that will happen). We're
not going anywhere. We hope to see you soon, and if you really can't
wait a few hours ? what the hell ? occupy your own universities or
work spaces.

Come use your voice to declare loudly that this school and this world
are yours. Come use your mind to think up a better world. Come use
your body to create it, one all-nighter in the university cafeteria at
a time. Come stand in solidarity with the students, faculty, and staff
of this university. Come to write letters of support to the people of
the village of Thanh Phong whose parents were murdered by the current
President of the New School during his service in Vietnam. Come join
the struggle with the people of Iraq who are being tortured and killed
by a company funded by this university and represented on the New
School Board of Trustees. Come here to join the uprisings and
outpouring of passionate resistance currently taking place all over
this country, and all over the worlds ? from factory workers in
Chicago to students in Greece. Come for yourself. Come for all of us.

In solidarity,

The New School in Exile

Thursday, December 11, 2008

Flexible Accumulation and Academia

Flexible accumulation (a term coined by geographer David Harvey to delimit the Post-Fordist, Keynesian form capitalism manifest in Western countries) is hitting English departments nationally, as more and more the of the professorial workforce is casuallized, made part-time, and eliminated.

Inside Higher Ed reports:

"* Only 42 percent of all faculty members teaching English in four-year colleges and universities and only 24 percent in two-year colleges hold tenured or tenure-track positions.
* Part-time faculty members now make up 40 percent of the faculty teaching English in four-year institutions and 68 percent in two-year institutions. (Part timers are only a subset of those off the tenure track since, for several years now, an increasing share of the adjunct population works full time at a single institution.)
* Huge gaps exist in salaries between tenured and non-tenure track faculty members teaching English, although full-time adjuncts have seen salary growth in recent years. Per-course payments for part-time instructors have been relatively flat over the last eight years."


The humanities and social sciences in particular suffer from these changes in the economy of the university most, not only because they are often produce knowledge and products that are not as easily converted into businesses (as per new models of the neo-liberal university), but also because many of us tend to see our teaching and writing as a kind of radical activism, and thus we tend to feel as if the sacrifices we make personally and financially for academic work are part of some clergical mandate, the lamb we lay at the altar of "the struggle".

It is the extent to which we understand ourselves as "saviors" of our students or, perhaps, history, or even merely the last bastion of the public sphere, that we are all the more exploitable as a workforce for the ends of the late capitalist university.

Saturday, December 6, 2008

Intro. to Film Text Books

This semester I was handed an introduction to Film Studies course. However, there were several mandates with which the course came: first, that the course follow a general historical trajectory (with an emphasis on production and economic bases) from the beginning of the film medium (the competing trajectories of the Lumiere Brothers and Georges Méliès), then the "important" narrative film movements, the golden age of Hollywood, the French New Wave, the "auteur" Renaissance in Hollywood, the emergence of the blockbuster; second, that the students have a working knowledge of the vocabularies for talking about mise-en-scène, cinematography, narrative, performance, etc.; the third, an introduction to cultural studies/film studies approaches to film (including Laura Mulvey's theory of the male gaze, auteur theory, Ideology critique, the Frankfurt School, etc.); and finally, I was enjoined to require 3 essays from my students, a midterm and a final exam.

To me this seemed partially an overwhelming set of mandates, particularly because I am a rather new initiate into film studies as I have only really taken interest in them in graduate school. I made the mistake of sticking close to my professor's syllabuses for the first half of the course, as my knowledge is limited on these films. To the second half I added weeks on the Documentary, and Pornography, two topics that are of central interest to me, moreso than most fiction film interests. To the critical perspectives, I added Laura Kipnis on Pornography, Paul Virilio on the Optics of War, Stuart Hall on the notion of audience formation, and perhaps most ill-advised Fredric Jameson on Reification & Utopia in Mass Culture.

The textbooks I selected, because I didn't have time to do the research, are choices that definitely need to be rethought.

The historical textbook I selected was Jon Lewis' American Cinema, recently released by Norton.

American Film: A History

Lewis does an excellent job giving context to a great deal of history and filmmaking. At times he focuses a little too much on specific films (and his descriptions are not always accurate). But he connects aesthetic and production trends to the general economic changes in the industry, acknowledges the contributions of women, talks about competing industries and film forms, and has just overall great big stills from the films which are useful historical documents in themselves. However, Lewis is not a great writer and his lack of evocative prose made it difficult to "riff" much off of the history he provides.

I will definitely select a different text for this. Also, I've realized that I am not great at teaching the historical elements in general, which is something I need to work on.

The textbook I selected to assist in discussing the formal vocabulary, was Bruce Kawin's How Movies Work.


How Movies Work

So I selected this book based on faculty input on an introduction to film studies course. While I think that is has very simple and clear examples, language, and the reading lengths were just right I find the distinctions Kawin makes in terms of techniques don't jibe with other film-studies scholars. This was particularly the case with distinguishing between constructive editing and dialectical editing. I am more inclined to use Film Art for my next course.

As usual, it is very difficult to teach my students (residing in the heart of the US technocracy and the seat of weapons industry development) that there are implicit political logics embedded in the formal, narrative, and representative functions of filmic texts. They had difficulty taking seriously, their own "entertainment," or even their boredom at takes that last longer than 20 seconds.

The misery of so many assignments I feel turned many of them against me.

Monday, October 13, 2008

Militarization and Culture

In a recent issue of Inside Higher Education Keith Gandal writes,

"If English wants again to be in the position Brooks [Peter Brooks, former MLA President] remembered of the 1980s of exporting its analytic and having an influence even in the larger world outside of academia, then it needs to attempt to develop a more accessible style of expression as well as to import from other disciplines. My suggestion for a new direction in literary criticism is what might be called “mobilization studies,” by which I mean not merely the study of war literature, but much more broadly the study of the wide-ranging social and literary effects of mobilizing armies and populations for war and demobilizing them. Analogous to the new sub-field of social-military history developed by historians, “mobilization studies” will be situated at the intersection of policy history, social history, and literary analysis. It was heartening that this year’s Hemingway Society conference invited a social-military historian to give a keynote address. In terms of literary criticism’s engagement both with the issue of war and with other disciplines, let’s hope it is a sign of things to come."

This is something that I am increasingly interested in, perhaps at the level of a dissertation. Discussing documentaries about Cold War demilitarization, War on terror remilitarization, and the global imperatives of the weapons industry. Not sure on a vector or even an object with regard to this issue, but this is something I want to keep in mind for the future in general.

To this end I recently presented a paper at the "Histories of Violence" conference at George Mason University two weeks ago. It was a small conference but generally quite interesting. As with most Cultural Studies events over the last few years, the notion of the biopolitical (as per Foucault) was by far the most used explanatory vehicle. I did meet some similarly interested people working with similar topics that tended to be less anxious and awkward than most academics I tend to meet, which make conferences a little painful. Some particularly interesting work on mechanical means of seeing the battlefield, and questions of violence as undermining the discourses of human rights.

The optics of warfare as the overlap with the aesthetics of representations of war seem to me to be a fundamentally interesting notion, particularly derived from Paul Virilio. Because of this interest I tend to teach the non-canonical War and Cinema, in every one of my media studies and film classes (2 so far). The students tend to find the text slightly confusing, but I am finding it easier to teach. The stakes are a little diffused for these kids in a text that draws parallels between advances in the technologies of "seeing" the battlefield and those of filmmaking, to indicate that war making has become aestheticized, and thus in Western culture seeing and destruction have become coincident. This is perhaps most clear with the "smart bombing" technologies that involve a sort of "point-click-bomb" concept:



I myself find Virilio's discussion of vision and destruction interesting when placed against the work of geographer and photographer Trevor Paglen who uses astro-photograhy to document not only military surveillance satellite technology but also top-secret bases located in Tonopah Valley, Nevada.